Box 2
Contains 21 Results:
Box 2
William Stoney spent much of his career teaching music theory, piano, composition, and various performing groups. Materials in this series center on his teaching activities and include charts and teaching aids used in the classroom. There is a small amount of information relating to universities in which he was employed.
Folder 1: Special Discovered Sounds, undated
William Stoney spent much of his career teaching music theory, piano, composition, and various performing groups. Materials in this series center on his teaching activities and include charts and teaching aids used in the classroom. There is a small amount of information relating to universities in which he was employed.
Folder 2: Teaching Aids, undated
William Stoney spent much of his career teaching music theory, piano, composition, and various performing groups. Materials in this series center on his teaching activities and include charts and teaching aids used in the classroom. There is a small amount of information relating to universities in which he was employed.
Folder 3: Theory, undated
William Stoney spent much of his career teaching music theory, piano, composition, and various performing groups. Materials in this series center on his teaching activities and include charts and teaching aids used in the classroom. There is a small amount of information relating to universities in which he was employed.
Folder 4: Theory, undated
William Stoney spent much of his career teaching music theory, piano, composition, and various performing groups. Materials in this series center on his teaching activities and include charts and teaching aids used in the classroom. There is a small amount of information relating to universities in which he was employed.
Folder 5: Theory, undated
William Stoney spent much of his career teaching music theory, piano, composition, and various performing groups. Materials in this series center on his teaching activities and include charts and teaching aids used in the classroom. There is a small amount of information relating to universities in which he was employed.
Folder 6: Theory Charts, undated
William Stoney spent much of his career teaching music theory, piano, composition, and various performing groups. Materials in this series center on his teaching activities and include charts and teaching aids used in the classroom. There is a small amount of information relating to universities in which he was employed.
Box 2
Stoney kept several notebooks with sketches and possible motives for later development. He also kept extensive notes about pieces upon which he was working. This series contains working drafts, sketches, and sketchbooks for his original compositions.
Folder 7: #3 Practice Book- Chordal Configurations, undated
Stoney kept several notebooks with sketches and possible motives for later development. He also kept extensive notes about pieces upon which he was working. This series contains working drafts, sketches, and sketchbooks for his original compositions.
Folder 8: Cadenza for Coraline, undated
Stoney kept several notebooks with sketches and possible motives for later development. He also kept extensive notes about pieces upon which he was working. This series contains working drafts, sketches, and sketchbooks for his original compositions.
Folder 9: Cello Sonata, undated
Stoney kept several notebooks with sketches and possible motives for later development. He also kept extensive notes about pieces upon which he was working. This series contains working drafts, sketches, and sketchbooks for his original compositions.
Folder 10: Duo Violins, undated
Stoney kept several notebooks with sketches and possible motives for later development. He also kept extensive notes about pieces upon which he was working. This series contains working drafts, sketches, and sketchbooks for his original compositions.
Folder 11: Flute Sonata: Miscellaneous Preliminary Sketches/ Unknown or Incomplete Sketches, undated
Stoney kept several notebooks with sketches and possible motives for later development. He also kept extensive notes about pieces upon which he was working. This series contains working drafts, sketches, and sketchbooks for his original compositions.
Folder 12: Flute Sonata: Slow Movement, undated
Stoney kept several notebooks with sketches and possible motives for later development. He also kept extensive notes about pieces upon which he was working. This series contains working drafts, sketches, and sketchbooks for his original compositions.
Folder 13: For Thematic Material, undated
Stoney kept several notebooks with sketches and possible motives for later development. He also kept extensive notes about pieces upon which he was working. This series contains working drafts, sketches, and sketchbooks for his original compositions.
Folder 14: Guitar Sketch, undated
Stoney kept several notebooks with sketches and possible motives for later development. He also kept extensive notes about pieces upon which he was working. This series contains working drafts, sketches, and sketchbooks for his original compositions.
Folder 15: Mixed Sketchbook, undated
Stoney kept several notebooks with sketches and possible motives for later development. He also kept extensive notes about pieces upon which he was working. This series contains working drafts, sketches, and sketchbooks for his original compositions.
Folder 16: Motives and Themes, undated
Stoney kept several notebooks with sketches and possible motives for later development. He also kept extensive notes about pieces upon which he was working. This series contains working drafts, sketches, and sketchbooks for his original compositions.
Folder 17: Organ, undated
Stoney kept several notebooks with sketches and possible motives for later development. He also kept extensive notes about pieces upon which he was working. This series contains working drafts, sketches, and sketchbooks for his original compositions.
Folder 18: Pencil Draft of That Happy Land/ Beginning of a Proposed String Quartet, undated
Stoney kept several notebooks with sketches and possible motives for later development. He also kept extensive notes about pieces upon which he was working. This series contains working drafts, sketches, and sketchbooks for his original compositions.